Koss (she/they/them) is a mixed-race, queer poet, writer, and artist…
loop over three loss-filled years
I turn to consider crickets as they pitch
their winged violas in September’s early threat
there are 800 species—how could we know
their differences by their songs so low
and synchronous—death-sweet and seeping
through nocturne walls
they sing together as they know things
each low-bowed wing strokes its upper half
in self-contained lovemaking
they sing, they sing their distant cricket
symphony while the world slumbers
knowing when winter comes
it’s time to fold their tiny corpses
into earth
whereas the stealth house crickets—so clever
defy you with their will to live all winter
singing acapella “now—now—now”
and “live”
Koss (she/they/them) is a mixed-race, queer poet, writer, and artist with publications in Chiron Review, Cincinnati Review (miCro), Spillway, diode poetry, Five Points, Petrichor, Beaver Mag, Sage Cigarettes, Spoon River Poetry Review, Action, Spectacle, MoonPark Review, Gone Lawn, Variant Lit, Anti-Heroin Chic, San Pedro River Review, Bending Genres, Permafrost, Bulb Culture Collective, Prelude Magazine, and many others. They have work forthcoming in Hyacinth Review, Reckon Review, Sugar Sugar Salt Lit, Midway Journal, Anvil Tongue, and the anthology, Ovation. Other anthologies include Dead of Winter III, Querencia’s Winter ’24 Anthology, Secrets in the Garden Anthology, Best Small Fictions 2020, Get Bent, Beyond the Frame. They’ve received numerous award nominations and won the 2021 Wergle Flomp Humor Poetry contest. Watch for their new chapbook, Dancing Backwards Towards Pluperfect, coming from Diode Editions in '24. Find links to their work at: https://koss-works.com. Connect on Twitter @Koss51209969.